Bob Mizer: Select Private Works 1942 - 1992
Feb 19 - Mar 19, 2011

Exile is pleased to present Bob Mizer: Select Private Works 1942-1992, featuring a special selection of private photos by American photographer and visual mastermind Bob Mizer, exhibited now for the very first time. This show launches not only Exile’s new location but also an ongoing collaboration with the newly formed Bob Mizer Foundation. Consisting of 26 modern custom Cibachrome prints carefully produced in strictly limited editions from never before seen vintage Kodachrome film positives, the exhibition gives an initial insight into this artist’s extensive personal work and creative process.

Bob Mizer (1922-1992) founded Athletic Model Guild in 1945 as well as the ground-breaking magazine Physique Pictorial in 1951. Vintage and modern prints from Mizer’s AMG studio are cherished, collected, shared, traded, exhibited and published on endless occasions. But this exhibition introduces a Bob Mizer that has hardly been known and never before exhibited until today.

Over the course of his career he continuously pushed social, political and aesthetic boundaries, and his life and art have had a lasting influence on countless artists and filmmakers as well as on visual culture as a whole. Based in Los Angeles, his photography and filmmaking features a vast social spectrum ranging from Hollywood actors and celebrities to homeless hustlers and porn stars. His models included television and film star Glenn Corbett, actor, Warhol-protégé and Calvin Klein-model Joe Dallessandro, as well as bodybuilder, movie star and recent Governor of California Arnold Schwarzenegger… among many others.

Although he worked in both black & white and color, we focus here exclusively on selected color examples. The work is presented in three distinct groups that loosely follow a biographical timeline to give an insight into the depth and breadth of the artist’s research and artistic vision.

Bob Mizer: Select Private Works 1942-1992 begins with documentary-based photographs from Venice Beach, CA from the mid 1940s and a selection of outdoor portraits taken during his first trip to Europe in 1951. During these years, Mizer created his photographic identity as well as his entrepreneurial voice for AMG and Physique Pictorial. 

The exhibition continues by examining the artist’s particular use of color. Mizer began experimenting with color photography as early as the mid 1940s and continued to experiment throughout his career. This took several forms, ranging from fashion-based imagery to formal portraiture. Many of these photographs show a subtle understanding and manipulation of color and lighting effects - all imbued with a characteristic style and underlying symbolism.

The exhibit culminates in a selection of works that illustrate the ways in which Mizer constantly challenged his own visual language. These works show how he developed and appropriated many of today's known stereotypes of masculine visual representation - and then further shows his incessant obsession to push further and further into and beyond his own stereotypes. These particular images are multi-layered fables of embedded visual coding: an angry-looking Marine who has lost his pants, a Jesus on a fabric-clad cross in a state of excitement, and a fake Native-American standing proudly against airplane jet trails in the LAX flight path. 

Exile is excited to show a side of this unique artist’s work and of our collective cultural history that has hitherto been underrated and unexplored. His vast estate consists of about one million negatives and transparencies, countless reels of 8 and 16 mm films, thousands of BetaMax videotapes, as well as large amounts of personal paraphernalia. This exhibition has been curated by Christian Siekmeier and Billy Miller, in conjunction with Dennis Bell and Christopher Trout from the Mizer Foundation.

Additional Events

Saturday, February 26, 2011, 6-8 pm
Bob Mizer Film Screening

Exile cordially invites you to a screening of rare short films by American photographer, publisher and filmmaker Bob Mizer, selected by the concurrent exhibition's curator Billy Miller.
Encouraged by his friend and mentor Dick Fontaine, Mizer began releasing an ongoing series of "one-reel" films in the 1950s for mail-order customers. Over the years, these initial films evolved from b&w silent films to full-color sync-sound films exhibited in select movie houses and then later, to longer and more explicit videos which were widely distributed.
For this special screening, Miller presents a taste of the full range and history of the artist's filmic output; featuring Joe D'Allesandro's screen debut amongst others.

Read Review: Monopol

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Read Review: Eyemazing

Sol LeWitt: Wall Drawing 731, 128 Rivington Street, 1993 & 2014 <> five insertions by Martin Kohout
Das stille Leben des Sammlers Kempinski
Martin Kohout: 5006 years of daylight and silent adaptation

Aggtelek <> Philadelphia Wireman
Artissima 20: Kazuko Miyamoto
Hanne Lippard <> Gwenn Thomas
Stephan Jung: [...]
Irregular Readings
Katharina Marszewski: CV CE LA VIE
LISTE 18: Aggtelek, Artie Vierkant, Martin
Kohout, Katharina Marszewski

Kazuko Miyamoto: Container
Erik Niedling with Ingo Niermann: The Chamber
Artie Vierkant: Configure

My safe reduction to form
Artissima 19: Aggtelek <> Gwenn Thomas
Mateusz Sadowski: Leak
Kazuko Miyamoto: Live End Dream No
LISTE 17: TM Davy: Strange Fire
2012: Goran Tomcic and Ze Coeupel (Ambra
Pittoni and Paul-Flavien Enriquez-Sarano)

Stuart Brisley
Art Brussels: Jo-ey Tang <> Stuart Brisley
Aggtelek: The Speaker

Document Performance

TM Davy: Epithalamium
Jo-ey Tang: Like An Intruder
art berlin contemporary: Katharina Marszewski
Art Gwangju: Double Democracy
LISTE 16: FORT: The Eye Balled Walls
Kathe Burkhart: Ubercunt. Selections
from The Liz Taylor Series and Other Works

Martin Kohout: Glare Inland, Quiet Attachment
Alida Müschen: Privat
Bob Mizer: Select Private Works 1942 - 1992

Milk Wood #2: Katharina Marszewski
Andrew Kerton: LAND
MilkWood #1: Carola Deye: Jeansmangel
Stuart Brisley: Measurement and Division
33 115 68
Anneli Schütz: Open Source
Heiner von Alberti: Es werden jetzt für die,
die noch gut sehen Minusbrillen ausgeteilt
Erik van der Weijde: Siedlung
Nadja Abt and Katharina Marszewski: Tabledance

Astrid Proll: Der Zug aus Leipzig
Wieland Speck: Berlin Off/On Wall
Shelly Silver: Former East/Former West
Jack Smith: Cologne, 1974. Photographs
by Gwenn Thomas, Film by Birgit Hein
Bill Jacobson: American Trip 1974-1978
Tom Holmes: Noisy Bottom
Howard McCalebb: Butterfly
Kazuko Miyamoto: String and Thread
Sol LeWitt: Wall Drawing 815
KAISERIN Magazine Exhibition No 2.: Hors Les Murs

Ad Memoriam
Al Baltrop: Pier Photographs 1975-1986
Straight To Hell

Bob Mizer
Self-censored Photographs
two unique vintage silver-gelatin prints, 4x5 inches each, mid 1940s
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Bob Mizer
Installation view
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Bob Mizer
Tony Rome & Ron Nichols
Vintage color transparency, 1971
Cibachrome print, 10.5 x 10.5 inches (26.6 x 26.6 cm), Edition of 3, printed 2011
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Bob Mizer
Lucky Draft, Austria
Vintage color transparency, May 1952
Cibachrome print, 10.5 x 7 inches (26.6 x 17.7 cm), Edition of 3, printed 2011
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Bob Mizer
select original documents in vitrines
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Bob Mizer
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Bob Mizer
Richard Jolins
Vintage color transparency, 1982
Cibachrome print, 7 x 10.5 inches (17.7 x 26.6 cm), Edition of 3, printed 2011
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Bob Mizer
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